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Comic Book Artist Lawrence
Comic Book Industry Blunders
by Dave Gieber
What has gone wrong within the industry and can it be fixed? The rape and pillage, in the eyes of
some, may have left the comic book industry gasping for life support. It seems that for an
industry that has seen so much success, the history of comic books, has apparently been
confounded by seemingly dumb mistakes.
The first could have very well been the coining of the name "comic books". The earliest versions
of the so-called half-tab (for half tabloid) reprints of the Sunday funnies (the comics) became
known as "comic books". This led to the thinking in general, that comic books contained comic
or funny material, which we all know, is a far stretch from reality. Comic books can be very
somber, dark or adventurous magazines. It has often been suggested that there should be another
term coined to better describe this literary package we all know as comic books. To date, no
other user-friend term has been suggested for use in the comic book industry.
A second misdirection came when magazine prices started to rise. Instead of increasing comic
book prices, like other successful magazines did, the comic book industry decided to cut pages to
keep the then current price tag of 10 cents. This brought on the impression that comic books
were "cheap" by definition, and neglected the fact that a dime was a lot of money at one time
(steak & eggs cost 35 cents). This presented the image that comic books were just for kids. It
also made the product increasingly less viable for retail merchants to stock. Why take up the
same shelf space, when a higher priced magazine would do more nicely. Again the perceived
value of the comic book was loosing credibility.
Then as the 1950s rolled around, an individual by the name of Dr. Frederick Wertham, published
a book entitled "Seduction of the Innocents". Through the use of unscientific research and
assumptions, he stated that all the nation's ills were directly related to kids reading comic books
(ah hmm, what?). Central to his thesis, was the misassumption that comic books were strictly for
kids. The more adult material, it was irrationally assumed, was aimed at our sweet, naïve
innocent children. Yes, we do have to protect our children, but it still bothers me to no end, that
certain self-righteous individuals believe their lot in life is to make the rest of the planet adhere
to their own personal beliefs. If this were the case, then our great country would have never been
founded.
With this wildly irrational attack on the comic book industry and many congressional leaders
jumping on the bandwagon, comic books were gaining a bad reputation. The comic book
industry publishers at this point, could have banded together and declared that comic books, like
movies, were not "just for kids". It should have been stated that the wide range of comic book
genres represented was target to as wide a range of readers. All but one of the publishers
(William Gaines, publisher of EC Comics) buckled under to this Congressional Investigation and
the Comic Code Authority was created. This governed the content of comic books and ensured
that for the next 15 years or so, the literary content would not rise much above that of pablum for
the mind. Therefore another slide into incredibility for the comic book industry took place.
Can the comic book industry be saved? Very possibly, but when the individuals in charge of the
saving are as eager as ever to make the same mistakes all over again, what will the outcome be?
They don't even appear to be cleaver enough to make new mistakes.
by Dave Gieber
What has gone wrong within the industry and can it be fixed? The rape and pillage, in the eyes of
some, may have left the comic book industry gasping for life support. It seems that for an
industry that has seen so much success, the history of comic books, has apparently been
confounded by seemingly dumb mistakes.
The first could have very well been the coining of the name "comic books". The earliest versions
of the so-called half-tab (for half tabloid) reprints of the Sunday funnies (the comics) became
known as "comic books". This led to the thinking in general, that comic books contained comic
or funny material, which we all know, is a far stretch from reality. Comic books can be very
somber, dark or adventurous magazines. It has often been suggested that there should be another
term coined to better describe this literary package we all know as comic books. To date, no
other user-friend term has been suggested for use in the comic book industry.
A second misdirection came when magazine prices started to rise. Instead of increasing comic
book prices, like other successful magazines did, the comic book industry decided to cut pages to
keep the then current price tag of 10 cents. This brought on the impression that comic books
were "cheap" by definition, and neglected the fact that a dime was a lot of money at one time
(steak & eggs cost 35 cents). This presented the image that comic books were just for kids. It
also made the product increasingly less viable for retail merchants to stock. Why take up the
same shelf space, when a higher priced magazine would do more nicely. Again the perceived
value of the comic book was loosing credibility.
Then as the 1950s rolled around, an individual by the name of Dr. Frederick Wertham, published
a book entitled "Seduction of the Innocents". Through the use of unscientific research and
assumptions, he stated that all the nation's ills were directly related to kids reading comic books
(ah hmm, what?). Central to his thesis, was the misassumption that comic books were strictly for
kids. The more adult material, it was irrationally assumed, was aimed at our sweet, naïve
innocent children. Yes, we do have to protect our children, but it still bothers me to no end, that
certain self-righteous individuals believe their lot in life is to make the rest of the planet adhere
to their own personal beliefs. If this were the case, then our great country would have never been
founded.
With this wildly irrational attack on the comic book industry and many congressional leaders
jumping on the bandwagon, comic books were gaining a bad reputation. The comic book
industry publishers at this point, could have banded together and declared that comic books, like
movies, were not "just for kids". It should have been stated that the wide range of comic book
genres represented was target to as wide a range of readers. All but one of the publishers
(William Gaines, publisher of EC Comics) buckled under to this Congressional Investigation and
the Comic Code Authority was created. This governed the content of comic books and ensured
that for the next 15 years or so, the literary content would not rise much above that of pablum for
the mind. Therefore another slide into incredibility for the comic book industry took place.
Can the comic book industry be saved? Very possibly, but when the individuals in charge of the
saving are as eager as ever to make the same mistakes all over again, what will the outcome be?
They don't even appear to be cleaver enough to make new mistakes.
Dave Gieber, a former rocket engineer, has decided to take up residency on the Internet. He is the owner and editor of several websites, one of which was built around one of his childhood passions; www.comic-book-collection-made-easy.com . You can visit here to keep up to date on the world of comic books and comic book collecting. Feel free to sign up for my comic book ezine.
Los Angeles Production Listings
The following listings are not casting notices but instead reflect the best general information available about current casting assignments. Do your homework and use them wisely. Do not phone or visit casting directors' offices.
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The following listings are not casting notices but instead reflect the best general information available about current casting assignments. Do your homework and use them wisely. Do not phone or visit casting directors' offices.
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Residents from all parts have opportunities to participate
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By olufunke moses Trust the dude with the gumby haircut — the guy with a penchant for wearing sunglasses while inside, painting his likeness onto six-foot canvases, going by the moniker "Fahamu Pecou is the Shit!" and holding WWE-like press conferences that demonstrate the level of his fo-shitness — to tell you he began his life as an artist with an eraser. Not a pencil or a paintbrush or crayon ...
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Curtains Up
August Theatre, Music, Dance Choregus Productions August 27-29 // Dance on Camera Festival Galleries Gilcrease Museum Through August 29 // The West of Olaf Seltzer and To Run with Charles M. Russell Retrospective Opening concurrently with the The Masterworks of Charles M. Russell is The West...
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The Morgan to Show Black-and-White Drawings by Roy Lichtenstein
Roy Lichtenstein, Foot Medication, 1962, frottage and graphite pencil. The Menil Collection, Houston, Bequest of David Whitney. Photographer: George Hixon, Houston. © Estate of Roy Lichtenstein.
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Word On the Street
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